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47 Degrees: Unit of work

This unit of work has been written to support 47 Degrees, an account of the experiences of writer Justin D'Ath during the 2009 Black Saturday bushfires in Victoria. Explore themes of belonging, bravery, community, grief, resilience and the environment. This unit provides practical teaching ideas and an assessment task

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Mahtab’s Story: Unit of work

This unit of work has been written to support the novel Mahtab’s Story. The novel focuses on asylum seekers and explores themes of courage, family, hope and resilience. This unit provides practical teaching ideas, an assessment task and an essay about the novel by Yassmin Abdel-Magied

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Vampyre: Unit of work

This unit of work has been written to support the picture story book Vampyre. The book is told from the point of view of a vampire who is entering young adulthood with the responsibilities that come at that time in life. It shows the struggle to be an individual and find your identity. This unit provides practical teaching ...

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The Deep: Here Be Dragons: Unit of work

The Deep: Here Be Dragons is a graphic novel tells the tales of the Nekton family – a multiethnic family of Aquanauts who live on a submarine. It explores themes of discovery, family, hope, respect and the environment. This unit provides practical teaching ideas and an assessment task. This teacher resource provides practical ...

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Midnite: Unit of work

This unit of work has been written to support the novel Midnite which is a good-humoured history of the exploits of bushranger Captain Midnite and his five good animal friends. This unit provides practical teaching ideas and an assessment task.

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Just Macbeth!: Unit of work

This unit of work has been written to support the novel Just Macbeth!. Using a group of Australian teenagers as the main characters, the novel plays with the themes of Shakespeare’s play The Tragedy of Macbeth. It explores themes of ambition, guilt and forgiveness, humour, trust and betrayal. This unit provides practical ...

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Blueback: Unit of work

This unit of work has been written to support Tim Winton’s novel Blueback which is a story about family, belonging and living a life in tune with the environment. This unit provides practical teaching ideas and an assessment task.

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Playing Beatie Bow: Unit of work

This unit of work has been written to support the novel Playing Beattie Bow. The value of this novel study lies in the opportunities presented to explore the evolution of the English language, including the impact of new technologies on language and the genre of time travel. This unit provides practical teaching ideas and ...

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Interviews With 10 Australian Authors, Ch 8: Experience colonial Australia with Tom Keneally

Thomas Keneally likes to put himself in the shoes of figures from history, whether it's as a member of the SS or an Indigenous man treated unjustly, and ask ‘What would I have done?' In this interview he discusses why he was drawn to the Jimmie Governor story and the significance of the looming Federation of Australia.

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Interviews With 10 Australian Authors, Ch 4: Poetry with Robert Adamson

Australian poet Robert Adamson speaks to Tom Tilley about his extraordinary life, including his experience of being sent to a boys' home as a teenager, of his life-changing discovery of Bob Dylan, and of the spiritual connection he feels with the Hawkesbury River. The Golden Bird is a collection of his poems written throughout ...

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Interviews With 10 Australian Authors, Ch 2: Draw with Bronwyn Bancroft

How do you draw a giant rainstorm? Bronwyn Bancroft loves Australian nature. She knows how to paint the weather, the land, and the animals. In this interview she speaks about what it's like to live in a country town when a storm hits.

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Sculpting ideas into stories with Andy Griffiths

Watch this clip to learn how Andy Griffiths turns his ideas into stories. In particular, listen to the way Andy describes how his collaboration with illustrator Terry Denton works. Now team up with a friend or family member and take on the roles of author and illustrator. What ideas can you come up with by working together? ...

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Journey to the west - part 2

This is the second part of a Chinese folk story dating back 1,300 years called the Journey to the west: preparing for the great journey. The story is about finding three magical companions - a monkey, a pig and a strongman - for a monk who is going on a dangerous journey. The resource is 15 web pages and includes text, ...

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Talking about feelings with Morris Gleitzman

According to Morris Gleitzman, what connects readers to stories? Thinking about your favourite books and characters, do you agree or disagree with his views?

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Alice Pung on story settings

Watch this clip to learn how author Alice Pung thinks about settings in her writing. What does she say about they way they inform the characters she develops? Why does Alice think a high school is a good setting for a story? Write a short story that's set in a high school, paying special attention to the dramatic possibilities ...

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Interviews With 10 Australian Authors, Ch 6: Gary Crew's Strange Objects

How do you use research in a fiction novel that is based on historical events? What is the real symbolism of the ring? Why should a writer have a ‘day job'? Listen to Gary Crew answer these questions about Strange Objects in this interview.

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Interviews With 10 Australian Authors, Ch 1: Yasou! from Nadia Wheatley

Yasou! Five Times Dizzy is the story of a young girl who tries to bring happiness back into her Yaya's life by giving her a goat. Author Nadia Wheatley speaks with Tom Tilley about her memories of a Greek Australian family living in Newtown and of the years she lived in Crete as being the inspiration behind the story.

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Hannie Rayson on the Australian voice in theatre

How important do you think it is to hear Australian stories told on stage? Listen as Hannie Rayson explains her early beliefs about where great drama comes from. After watching this clip, try writing a dramatic scene that takes place at a family barbeque.

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Hannie Rayson on writing complex roles for women

Watch as Hannie Rayson describes her early desire to write multidimensional, complex roles for women in her plays. What was this in response to?  Why is it important for audiences to see female characters as well as male characters driving drama in plays? 

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Thinking about settings with Leigh Hobbs

As Leigh Hobbs says, the great thing about inventing a character is that you also have the power to choose where they live. What's your character's world like? Describe your character at home. Where do they live? And what do they do there? Now choose a completely different location and plonk your character there. Think ...